[fifty five] Leonard Barkan as opposed the posture of Michelangelo's marginalia self-portrait on the Roman sculptures of Marsyas Sure while in the Uffizi Gallery; Barkan further connects the flayed Marsyas with Michelangelo's purported self-portrait decades down the road the flayed pores and skin of St Bartholomew in his Past Judgment https://topan-toto43208.mybuzzblog.com/5629008/a-secret-weapon-for-topantoto